150 Coddingtown Center
Santa Rosa, CA 95401
Sepia for print (14.7" x 9.7" sepia jpg, 7.2 MB). Ancient Future circa 1990. Photo by Irene Young. Pictured: Matthew Montfort (guitars), Jim Hurley (violin), Doug McKeehan (keys), Ian Dogole (percussion).
This concert is part of a series led by Ancient Future bandleader Matthew Montfort, who will be joined by master musicians from many traditions to perform hour long free concerts at libraries in Sonoma County. Each show features different material from recordings by Matthew Montfort, his band Ancient Future, and the musicians he is performing with.
On March 30 at 2 PM, scalloped fretboard guitarist Matthew Montfort, keyboardist Doug McKeehan, and global percussionist Ian Dogole will perform a World Without Walls Trio program celebrating the band Ancient Future’s classic ‘World Without Walls’ release at the Northwest Santa Rosa Library, located at 150 Coddingtown Center. This hour long concert is free to the public. For more information call 707-546-2265 or visit sonomalibrary.org.
This trio show features the rhythm section of the exact lineup of Ancient Future that performed on the band's influential World Without Walls and Asian Fusion recordings. The full band including violinist Jim Hurley will reunite to perform at the San Francisco International Arts Festival on May 26 at 5 PM. Their uptempo virtuoso world fusion music is an exhilarating mix of jazz improvisation with the exciting rhythms, exotic sounds, and enchanting melodies of world music.
This lineup of Ancient Future played over a hundred concerts together from 1988 to 1995. In 2011, they reunited for the first time in 15 years to perform concerts at Todos Santos Plaza in Concord and Yoshi's in San Francisco. In honor of the reunion concerts, World Without Walls was released digitally by Capitol Records for the first time ever at major digital retailers such as iTunes. Twenty two years after its initial release in 1990, broadcasters worldwide voted the record as one of the top 5 world music releases of 2012. In September 2012 they performed at the Frick Museum in Pittsburgh, Pennsylvania, and then at the Freight and Salvage in October 2013. This show at the San Francisco International Arts Festival will be their fifth reunion concert.
They have headlined such venues as San Francisco's Great American Music Hall and Eugene's Hult Center for the Performing Arts, appeared at numerous jazz festivals such as the Sacramento River Jazz Festival, Cotati Jazz Festival, Valhalla Jazz Festival, and Sand Harbor, and shared bills with other leading jazz and contemporary music artists including Fourth World with Flora Purim and Airto, Tower of Power, Craig Chaquico, Acoustic Alchemy, and Ottmar Liebert. Ancient Future was the subject of numerous features in publications such as JAZZIZ and MÚSICA GLOBAL. A selection of these articles have been uploaded to the archives of Ancient Future history, providing an interesting perspective on a period of growth in the world music movement.
YouTube Video of Ancient Future Performing Bookenka at 'World Without Walls' Reunion. Shown: Matthew Montfort (scalloped fretboard guitar), Jim Hurley (violin), Doug McKeehan (keyboards, piano), Ian Dogole (percussion), Kash Killion (bass), and Mariah Parker (santur).
"Ancient Future is a rare kind of band that might simultaneously aggravate purists, confound New Age dilettantes, seduce skeptics, and dazzle just about everybody else. Delicious compositions, intricate arrangements, crisp playing and impeccable production put these ambitious voyagers in a league of their own." - Derk Richardson, SAN FRANCISCO BAY GUARDIAN
Matthew Montfort is the leader of the world fusion music ensemble Ancient Future. He is a pioneer of the scalloped fretboard guitar (an instrument combining qualities of the South Indian vina and the steel string guitar). Montfort spent three months in intensive study with vina master K.S. Subramanian in order to fully apply the South Indian gamaka (note-bending) techniques to the guitar. In 2009, he released his first solo guitar recording, Seven Serenades for Scalloped Fretboard Guitar, which debuted at #8 on Zone Music Reporter's Top 100 February 2009 World Radio Chart, and held the #34 spot on the Top 100 of 2009. He has performed concerts worldwide, including at the Festival Internacional de la Guitarra on the golden coast of Spain near Barcelona and the Mumbai Festival at the Gateway of India in Bombay. He has performed live on national radio and TV shows such as the Rachel Maddow Show on MSNBC. Montfort wrote the book Ancient Traditions - Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali, and India, which has been used by many musicians to improve their rhythm skills.
Doug McKeehan started his piano studies at age five, and began his first professional work at the age of twelve. He studied music at the Oberlin Conservatory, Kent State University, and the University of Otago (New Zealand). He has toured Europe twice and spent considerable time in India studying with notable Indian music teachers such as Pandit Ram Narayan, Ustad Kursheed Khan and Pandit A.G. Bhattacharya. He has composed original music for stage and T.V. productions in San Francisco and Los Angeles and has been musical director of two original musical comedy productions. He co-founded Air Craft with violinist Bruce Bowers, which released a highly acclaimed new age/jazz album, So Near, So Far (Catero CAT-019). He is a first call jazz pianist in the San Francisco Bay Area.
Ian Dogole holds a B.A. in Ethnomusicology from Brown University and an M.A. in Classics from Villanova University. He began his musical studies with the piano at the age of five, later switching to jazz guitar which was to be his primary focus until taking up percussion during his ethnomusicology studies. He has released numerous albums under his own name, including Along the Route (Dr. Unit DU-1001), Dangerous Ground (Cafe L-737), and Ionospherses (C.E.I. CYK 807-2), all pioneering works in the field of world fusion music. He received a prestigious 1991 Jazz Performance Fellowship from the N.E.A, and 1994 and 1995 Marin Arts Council grants.